Showing posts with label Haruki Murakami. Show all posts
Showing posts with label Haruki Murakami. Show all posts

10.5.12

Dance Dance Dance; Rougier's Japanese Youth in Revolt, 1964.







Michael Rougier's amazing images transport you to Tokyo in 1964; looking at them is not unlike stepping into the pages of a Murakami novel. There's something so powerful about these photographs - I struggled to resist posting the whole portfolio.

The issue of LIFE which first featured part of the selection stated:  

All through that past, a sense of connection with the old traditions and authority has kept Japanese children obedient and very close to the family. This sense still controls most of Japan’s youth who besiege offices and factories for jobs and the universities for education and gives the whole country an electric vitality and urgency. But as its members run away from the family and authority, this generation in rebellion grows. 


See and read more here.

15.1.12

Sunday Soundtrack - 1Q84.

Leoš Janáček - Sinfonietta


Ella Fitzgerald - It's Only A Paper Moon

I have spent this very frosty morning immersed in Book III of Haruki Murakami's 1Q84. In the UK, they have tried to imitate the experience of his original Japanese readers by publishing Books I & II together, and Book III in a separate volume (as it was originally released as a surprise, a year after the first two). I was reading Books I & II while I was in South Africa, and during a trip to a rather amazing bookshop, I noticed they hadn't done that there... I think they've published it all as one volume in the US, too. Something a little strange I've noticed is that Books I & II were translated from the Japanese by Jay Rubin, and Book III by Philip Gabriel. It seems like an odd decision, but while it's noticeable it isn't necessarily jarring. Either way, my essays contributed to my further breaking up the reading experience - what with working on those, and reading another book, I was excited to start Murakami's Book III.

Regardless, I look forward to reviewing it in its entirety soon; and as anyone who has read it will know, the two pieces of music above feature prominently in the narrative. I am utterly engrossed, and can highly recommend this surreal, slightly sinister and carefully crafted story.